Grace Woodward

Grace Woodward

Grace Woodward is a stylist and creative director. She works regularly works with the Sunday & Saturday Times Magazines, Elle, Flaunt, Harpers Bazaar, Intersection, Numero, Nylon, Tank, 125, and in recent years has worked with Duffy, Emilia Fox, Immodesty Blaize, Fever Ray, Florence and the Machine and Noemi Lenoir. Men include Pharrell Williams for the cover of Giant, Green Day the cover of Rolling Stone, a special Yves Saint Laurent issue for GQ as well as the esteemed GQ Men of the Year cover and nominees. Her catalogue is considered and beautifully realised.

Take a look at her work on her site and on her blog.

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May 19, 2010

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Lundgren Lindqvist

Swedish design bureau Lundgren+Lindqvist have an eye for smart minimalism that manifests in great, exacting print and digital work.

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May 9, 2012

Monolith 3

Monolith 3

The third and final piece in a series. Working with an original photo taken at St. Michael’s Mount, Cornwall by utterly talented director, and friend, Rob Chiu.

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Magnasoma
April 19, 2012

Cope Arnold

Cope Arnold

Vedas is an ongoing pursuit in the understanding of knowledge from a Copernican perspective by LA-based photographer Nicholas Alan Cope and art-director Dustin Edward Arnold. It isn’t often you come across a portfolio of work so vast whilst remaining profoundly important, you need to see this.

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March 30, 2012

Brunswicker

Mark Brunswicker


I just want to quickly illustrate Mark Brunswicker’s work on The Vision Paper. Great use of type over imagery and really messing about with the grid creates a sophisticated layout where the editorial appears to float over the page. At once constrained, but delightfully capricious.

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February 16, 2012

Ben Jeffery

Ben Jeffery

Leeds-based graphic designer Ben Jeffery has an incredible eye for layout and has recently worked with Rankin on his newest magazine project The Hunger. In all of his projects you’ll find a well considered, incredibly tight presentation that effortlessly communicates the editorial in as minimal and achingly sharp method as i think its possible to produce.

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February 11, 2012

Riitta Paivalainen

Riitta Päiväläinen

Riitta produces ghostly psuedo-sculptures by wrapping linens around, and arranging clothing in, trees and scrub. By presenting her work as photographs she can use the environment she’s working with as part of her piece, giving her sculptures an environment within which to live; suggesting the passing passage of time and a record of events that have already happened.

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February 8, 2012

Monolith 2

Monolith 2

This beautiful photo was shot by James Cambourne at Saunton, between Exmoor and Dartmoor on the coast. The original has been beautifully graded down and is presented in very wide 2.35:1 format. Taking the original photo, and another from the same set to work into the Monolith’s reflection, i’ve kept faithful to James’ grade but have had to slightly increase the height to display the Monolith fully.

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Magnasoma
February 6, 2012

Neil Kellerhouse

Neil Kellerhouse

Graphic designer Neil Kellerhouse is responsible for some of the most arresting and important movie posters in recent years. Based in Los Angeles, Kellerhouse has spent the last year working with directors such as Fincher and Soderbergh.

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February 1, 2012

Feric

Feric

I bought one of Feric’s red-crowned crane prints a couple of years ago; a whimsical and elegant take on using engineering drawing practice in a very original way. And since then Feric has been busy…

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January 30, 2012

DepotVisuals

DepotVisuals

Modelling digitally with reference to real-world materials like plastics and wood, German studio DepotVisuals build informational installations and imagine constructs that are just slightly too perfect and too whimsical to exist in the real world. Amazing stuff. Take a look at their work.

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January 26, 2012

520 Ways To Say I Wish You Were Here

520 Ways

For her birthday late last year i created this poster for Shon; it is the dialogue from my phone of the few text messages that went into arranging our first date, then the first month of our relationship afterward.

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Magnasoma
January 23, 2012