520 Ways

520 Ways To Say I Wish You Were Here

For her birthday late last year i created this poster for Shon; it is the dialogue from my phone of the few text messages that went into arranging our first date, then the first month of our relationship afterward.

520 Ways To Say I Wish You Were Here
520 Ways Caption

For her birthday late last year i created this poster for Shon; it is our dialogue from my phone of the few text messages that went into arranging our first date, then the first month of our relationship afterward. Arranged over 520 lines, the format is based on a radial convergence diagram with the calendar date arranged around the outside in white, then the timestamp of each message creates an inner-ring, with the text messages themselves reading inwards from the outside, all reading anti-clockwise. The centre (zero) ring is a series of dashed lines, one for every line of dialogue, hence why it looks darker than the five and two.

The process was considerably more complicated than originally anticipated and required a set of some 600 stepped radial splines, converted to text paths and hand-stitched together, which seemed to be the only way to allow text to run across lines without being interrupted.

The A0 piece was produced in InDesign and Illustrator and printed by large format printers Onward Display using a six-colour process.

Leave a Reply

Brunswicker


I just want to quickly illustrate Mark Brunswicker’s work on The Vision Paper. Great use of type over imagery and really messing about with the grid creates a sophisticated layout where the editorial appears to float over the page. At once constrained, but delightfully capricious.

Read more.

Ben Jeffery

Leeds-based graphic designer Ben Jeffery has an incredible eye for layout and has recently worked with Rankin on his newest magazine project The Hunger. In all of his projects you’ll find a well considered, incredibly tight presentation that effortlessly communicates the editorial in as minimal and achingly sharp method as i think its possible to produce.

Read more.

Riitta Paivalainen

Riitta produces ghostly psuedo-sculptures by wrapping linens around, and arranging clothing in, trees and scrub. By presenting her work as photographs she can use the environment she’s working with as part of her piece, giving her sculptures an environment within which to live; suggesting the passing passage of time and a record of events that have already happened.

Read more.

Monolith 2

This beautiful photo was shot by James Cambourne at Saunton, between Exmoor and Dartmoor on the coast. The original has been beautifully graded down and is presented in very wide 2.35:1 format. Taking the original photo, and another from the same set to work into the Monolith’s reflection, i’ve kept faithful to James’ grade but have had to slightly increase the height to display the Monolith fully.

Read more.

Neil Kellerhouse

Graphic designer Neil Kellerhouse is responsible for some of the most arresting and important movie posters in recent years. Based in Los Angeles, Kellerhouse has spent the last year working with directors such as Fincher and Soderbergh.

Read more.

Feric

I bought one of Feric’s red-crowned crane prints a couple of years ago; a whimsical and elegant take on using engineering drawing practice in a very original way. And since then Feric has been busy…

Read more.

DepotVisuals

Modelling digitally with reference to real-world materials like plastics and wood, German studio DepotVisuals build informational installations and imagine constructs that are just slightly too perfect and too whimsical to exist in the real world. Amazing stuff. Take a look at their work.

Read more.

520 Ways To Say I Wish You Were Here

For her birthday late last year i created this poster for Shon; it is the dialogue from my phone of the few text messages that went into arranging our first date, then the first month of our relationship afterward.

Read more.

Carol Prusa

American artist Carol Prusa works with acrylic globes and domes, illustrating incredibly detailed mathematical structures on a unique and subtly three-dimensional construct. Take a look at her portfolio of work.

Read more.

The Monolith

I had wanted to create a piece for a while that nods towards one of my favourite films; 2001, and the visual simplicity of the film’s Tycho monolith with its silent, constant presence is obviously a perfect starting point. This is the first of (hopefully) a set of three prints and illustrates the moment immediately following the tragic impact of a small body against the large, omnipresent object.

Read more.

Profission Circles

Back in 2004 whilst at Kleber I was asked to create a site for Italian composer and producer Ferdinand Arno, promoting his studio; Quiet, Please! The concept had a special pre-requisite – the site was to have no descriptive words at all, so we’d need to look at an alternative way of communicating the concept. What started with that concept then evolved a couple of times over the next few years!

Read more.

Digital Temple

French agency Art Noble’s excellent Digital Temple magazine reaches its 11th issue and transcends from online publication to a fully realised print release – not an easy thing to achieve in the current climate. So, that is great news indeed. The magazine can be pre-ordered here.

Read more.