I just want to quickly illustrate Mark Brunswicker’s work on The Vision Paper. Great use of type over imagery and really messing about with the grid creates a sophisticated layout where the editorial appears to float over the page. At once constrained, but delightfully capricious.
Leeds-based graphic designer Ben Jeffery has an incredible eye for layout and has recently worked with Rankin on his newest magazine project The Hunger. In all of his projects you’ll find a well considered, incredibly tight presentation that effortlessly communicates the editorial in as minimal and achingly sharp method as i think its possible to produce.
Riitta produces ghostly psuedo-sculptures by wrapping linens around, and arranging clothing in, trees and scrub. By presenting her work as photographs she can use the environment she’s working with as part of her piece, giving her sculptures an environment within which to live; suggesting the passing passage of time and a record of events that have already happened.
Graphic designer Neil Kellerhouse is responsible for some of the most arresting and important movie posters in recent years. Based in Los Angeles, Kellerhouse has spent the last year working with directors such as Fincher and Soderbergh.
I bought one of Feric’s red-crowned crane prints a couple of years ago; a whimsical and elegant take on using engineering drawing practice in a very original way. And since then Feric has been busy…
Modelling digitally with reference to real-world materials like plastics and wood, German studio DepotVisuals build informational installations and imagine constructs that are just slightly too perfect and too whimsical to exist in the real world. Amazing stuff. Take a look at their work.
American artist Carol Prusa works with acrylic globes and domes, illustrating incredibly detailed mathematical structures on a unique and subtly three-dimensional construct. Take a look at her portfolio of work.
French agency Art Noble’s excellent Digital Temple magazine reaches its 11th issue and transcends from online publication to a fully realised print release – not an easy thing to achieve in the current climate. So, that is great news indeed. The magazine can be pre-ordered here.
Stephen Layfield updates his immaculate portfolio with 25 new projects. As ever, an awe-inspiring collection of print and packaging from this Sydney-based master of form. Take a look.
Marc Praquin is responsible for the excellent Design & Design site and yearbooks; a beautiful resource for print, packaging and industrial design, updated daily. Whilst I’ve had work featured on Design & Design a few times I’ve never paid Marc back the recognition he and his studio so absolutely deserves.
Agence Marc Praquin features a portfolio of work across the disciplines Marc himself so adores; print, packaging and industrial design. His passion is as obvious as his minimalist, concise and restrained style – a truly incredible designer.
Dear friend and talented fashion stylist Chi-San Wan launches a small portfolio site of her work. With a background in design, Chi-San works on a wide-range of projects including editorials, commercials, music videos and direction.
Josh Nimoy is responsible for some of the interface design and incredible supporting visual assets in Tron Legacy. Here he shares his work processes on last year’s blockbuster during his time at Digital Domain. Wonderful stuff.