Michael Feihstel – Hello Sundays! Pt. 6
An old friend of mine Michael Feihstel has just released a wonderfully laid back mix. Michael is an accomplished, eclectic producer. Genre in and around prog. mood pretty chilled. Definitely worth a listen.
Gareth Long’s lenticular series Untitled (Stories) is well worth a look. From his site: A series of nine lenticular prints based on the four paperback novels of J.D. Salinger that use and manipulate the iconic but anonymous cover designs. The six-foot prints reconfigure and animate the brightly coloured geometric lines of the book covers, suggesting the modernist art historical precedents of abstract painters such as Stella and Lewitt, Minimalism, or even the Op Art movement. As such, questions arise as to Salinger’s position towards modernism and modernity and the subsequent appropriate—or perhaps inappropriate—design of these books.
Recently i’ve been working on a sub-folio to Baseref to deal with the various identity projects i’ve worked on. This format allows me to take a much more in-depth case study sort of approach and to illustrate the process in more detail. Each project is split over two or three pages to show elements of its origin and its final use.
Minimalism Around the Web: Design Inspiration & WordPress Themes
Baseref has been added to David Leggett’s wonderful collection of Minimalist Websites. The article lists nineteen sites and a few lovely WP themes. Also in the list is Thommay’s constantly awesome site.
Established by Jacob Wildschiødtz and Troels Faber, NR2154 has one of the tightest portfolio’s i’ve seen. Graphic design and identity that eschews every possible whimsy. Simply method; bold, stark, lovely method.
Greenwood Brook Dress-Rehearsal
Tonight marks the first public outing for any kind of branding so far on our GB side-project. Still far too early to go into details on that but we’re presenting the concept with on-screen and printed backup. I’m primarily interested in how the noisy imagery goes down, both from an outside perspective and how it prints. We’re only using a digital process for this outing, so have very limited stocks available to us but i see this as a dress rehearsal for using the noisy artwork on much rougher, matt stocks in the future. The printed result shouldn’t be as noisy as the on-screen stuff, which is a little too heavy and sharp.
More on Greenwood Brook in my Identity_ folio.
For two reasons, one of which is the forthcoming Humhum cards project. I got lucky when asked to tackle the Ace of Hearts; a nice, comfortable and somewhat regal card to work with. I wanted to do something in stone – something very austere. A certain somebody close has been cracking hearts recently so i think this was also something of a therapeutic process. It isn’t broken, and is adorned with a sash to indicate a solemn authenticity.